Kodak Gold, taken seriously. Native in Capture One.
Ask around and you'll hear it: drugstore film. Cheap, ordinary — the stock your parents shot birthdays on.
Run it through a professional lab scanner and a different film appears. Complex color layers. Warmth that never tips into orange. Shadows that drift gently toward cyan instead of collapsing into black. That film — Kodak Gold 200 and UltraMax 400 as a Frontier actually rendered them — is what the Gold Edition rebuilds, engineered exclusively for Capture One.
Every profile is constructed from linear laboratory data: real scans from the Fujifilm Frontier SP3000 and Noritsu HS 1800, compiled directly into native Capture One ICC profiles. The emulation doesn't sit on top of your edit — it replaces the generic camera profile in Base Characteristics, so every Capture One tool downstream works on reconstructed film color instead of default sensor rendering.
What's inside
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12 native ICC profiles, applied in Base Characteristics and tuned for normal, pushed and pulled exposure.
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Complementary Styles for highlight softening and shadow control — switch exposure mappings or soften digital highlights to match your light.
Warm, versatile, honest. Built for everyday photography, portraits and golden hour. Simple, reliable, intuitive.
Also available for Lightroom: Gold Edition for Adobe Lightroom
Sample photos by Lucas Coersten, Daniel Dittus, Felix Rödiger, Maximilian Gödecke, André Duhme


























