Kodak Gold has a reputation. Ask around and you'll hear it: drugstore film, cheap and ordinary, the stock your parents shot birthdays on.
Run it through a professional lab scanner and a different film appears. Complex color layers. A warmth that doesn't tip into orange. Shadows that drift gently toward cyan instead of collapsing into black. That film, Kodak Gold 200 and UltraMax 400 as a Frontier actually rendered them, is what I rebuilt in the Gold Edition for Adobe Lightroom and Camera Raw.
Every profile starts from linear laboratory data: real scans from the Fujifilm Frontier SP3000 and the Noritsu HS 1800. Instead of putting a look on top of Adobe's generic color rendering, the 3D LUT architecture replaces it. It corrects how each color layer responds to exposure and takes the digital harshness out at the source.
What's inside:
- 12 native profiles, tuned for normal, pushed and pulled exposure.
- Adjustable density: with Lightroom's profile slider you scale the analog character from subtle to heavy.
- Utility presets for highlight softening and shadow control, which keep the characteristic Frontier shadow tones.
It's built for everyday photography, portraits and golden hour.
Also available for Capture One: Gold Edition for Capture One · Read the story behind Classic Mini Lab 2026
Sample photos by Lucas Coersten, Daniel Dittus, Felix Rödiger, Maximilian Gödecke, Phil Hoefer, André Duhme